![]() ![]() “Ma Mere Ma Fille”, Mellwood Arts Center, Louisville KY ![]() “An Evening with the Arts and Louisville Orchestra” (Juried), Jeffersontown KY “The Enduring Nude” (Juried), Kaviar Forge & Gallery, Louisville KY “Unmasked” (Juried), Louisville Visual Art, Louisville KY “Metamorphosis“(Juried), Louisville Visual Art, Louisville KY “Sense of Place”, Jane Morgan Gallery, Louisville KY “Selections from the Teachings of James Grubola”, University of Louisville, Louisville KY “Receive and Interpret”, Butchertown Social, Louisville KY “In Medias Res A Tale of Two Ships”, Open Ground Studios, Seaside CA “5th Annual Leaves & Petals International Online Exhibition”, Fusion Arts “Shelter from the Storm”, Gualala Arts Center, Gualala, CA “Visual Interpretations”, Glema Mahr Center for the Arts, Madisonville KY. Lore & Landscapes, Art Sanctuary, Louisville KY ![]() Hotel 1110, 1110 Del Monte Ave, Monterey CAĪlley Gallery, Louisville Downtown Partnership The Marchutz School of Art, Plein-air painting, Aix-en-Provence, FranceĢ020 Wildforest Sanctuary, Annapolis California, artist in residenceĢ020 Hotel 1110, Monterey California, artist in residenceĢ018-2020 Historic Landmark Bed & Breakfast, Seaside California, artist in residenceĢ016 Azule: A Place for the Arts & Community, Hot Springs, North Carolina artist in residence Questions, comments, commission A Pollockīachelor of Fine Arts, University of Louisville, Major: Studio Art, Louisville KY I see a painting as an object but also a vibration, an archive, a mirror, and as a portal one can enter into. ![]() Embracing the visions of regionalist painters, magic realism, female surrealists and mythology, I like for my work to engage peoples connection to their outer and inner landscapes, to feel dreamlike and to also maybe give you deja vu. Generating the energy or spirit of a place both steadies and allures me, and is my deepest way of expressing gratitude. These notes, photographs, sketches and memories are then used to create large scale paintings in my studio. I paint landscapes that I know intimately, and the origins of my paintings begin with walks in nature making field sketches. Luckily, none of us had to deal with all of that extra walking.My paintings are a nuanced conversation between sense-of-place and my perceptions. He also informed us that, if we did *not have our tickets yet, someone from our group could get out of line and walk on up to the ticket booth to get tickets, then come back and join us after doing so. Fortunately (we think), it was the latter. It seemed to go on forever! Soon, we found a staff member and asked if this was the ticket line or the line to go through the event. The scariest part of the night was when we got our first look at the waiting line. We decided to stick it out and, fortunately, we were able to get parked pretty quickly with the assistance of some fantastic flaggers. At the same time, we were passing “Additional Parking” signs that informed us of other places we could go if their native lots were full, or if we simply wanted to avoid the wait to get onto IP’s property. Look at all those pumpkins at Louisville Jack ‘O Lantern Spectacular!Īs we got close to Iroquois Park, we noticed that traffic was backing up well in advance of the park entrance. ![]()
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